Frida received her bachelor of arts in architecture from KTH Royal Institute of Technology, followed by her master of arts in architecture from Aarhus School of Architecture in 2013. In 2012 she started her own freelance based practice and has executed several collaborative exhibitions and installations, all with her interest in the interaction between people-art-space-stories. In 2014 she was, in collaboration with Mie Dinesen, granted by the Cultural Affairs Agency of Oslo for their workshop based installations “Rom i Byen for Byen”.
After working for the artist Vito Acconci, and the architect firm VAMOS Architects in NYC, Frida became a Resident Fellow at Arts Letters & Numbers Headquarters in Averill Park, NY in 2015. During her time as a Resident Fellow she has worked closely with the entire ALN community on many elements that contribute to the life of the project and have strengthened the core mission. Frida has recently taken on the role as Associate Director of Arts Letters & Numbers.
Frida's artistic work evolve around the awareness of how we do what we do, while we are doing it. The context of her work is the daily life, the situations, rooted in culture and personality traits, we might not contemplate upon. Her larger body of work Why Are We Eating Together, is a research on the intersection of these patterns.
We express gratitude to the following artists who presented along with visitors and supporters;
Since 2016 we have been fortunate to work with AHS’s theater ensemble, the amazing students and their highly dedicated directors and staff. This years musical Sweet Charity explored issues of sexism misogyny and especially how young people are impacted in the systems we live in. Ward Dales, Gregory Theodore Marsh, Noelle Gentile and NCBI, are true masters of creating safe space for the students to share their own stories and experiences around the topics. Creating a performance that is not only about the story itself - it’s about everyone who has every been in a situation of toxic societal norms and for everyone else learning how to be an ally.
We express gratitude to the following artists who presented along with visitors and supporters;
This Fall we had the great honor of contributing to the ‘Future Unknown’ Chancellor’s Summit held at The Central Academy of Fine Arts (CAFA) in Beijing, China. The project grew from careful consideration of the mission and vision of CAFA and the principles driving the “Future Unknown” initiative to move art and innovation forward by building linkages to many educational and cultural locations around the globe.
This year brought with it our 3rd annual Festival, where we once again celebrated and shared the works created over the course of our 2018 Summer Workshop, Hinges, Mirrors & Eclipses. With 45 participants, representing an incredible range of fields and nationalities, it was the largest workshop in the history of Arts Letters & Numbers, resulting in a truly memorable festival.
Hinges, Mirrors & Eclipses is grounded in the idea that the spatial, poetic and material imaginations provide a unique means of registering and creating transformation, of engaging the world and making a contribution. Working from the principle that our capacity to act in the world is rooted in our capacity to recognize and comprehend transformation, the workshop covers a large arc of content, asking questions of our world, our disciplines and our humanity.
Over the years we have been fortunate to experience the transformative work of AHS Theater Ensemble and NCBI, bringing students stories, experiences and observations to the stage. The production of 2018, Blaq Boi is a truly deeply moving, pure and honest student written performance about the young black male experiences in this country today.
On February 24th, 2018 the artists in residence at the House on the Hill opened up their spaces of work - To experiment with a process - A way of sharing their thoughts. Each artist had found a way to occupy the place. To build their own spaces of intimacy in which they were able to create their work.
Led by Michael Harrison, Sam Torres, Sophia Subbayya Vastek, the Creative Music Intensive at Arts Letters & Numbers was a week-long session dedicated to discovering and developing individual voices as creative artists. The participants and faculty presented a culminating concert in the House on the Hill, February 10, 2018 which included new works, group and solo performances, and improvisations.
On Saturday October 28th we welcomed a number of leaders from the many arts and cultural organizations in the Capital Region to Arts Letters & Numbers Tasting. With this event, we opened our doors to the extended creative community around us: to share our experiences and spaces, and to begin and continue the conversation about how we can best foster collaboration and contribute to the vibrant arts and cultural communities growing in the region.
SAUCE was a 3-day celebration of Soul, Motown, Funk, Swing, and Blues organized by our friends Joshua Fialkoff and Bryan Brundige. Arts Letters & Numbers hosted the late night dance on Saturday September 30th, where the tunes were accompanied by an edible installation made by Frida Foberg, Merethe Bahn Trolle, Josephine Saabye & Zubin Singh.
On August 3rd we opened our doors for the second Arts Letters & Numbers festival: this year titled Constitution. The 3-day festival presented works created during our annual four-week summer workshop, bringing together participants from a wide range of disciplines including architecture, photography, dance, music, literature, film, theatre, painting and drawing.
With CONSTITUTION, Arts Letters & Numbers proposed a dynamic crucible of free thought, a space where the widest spectrum of who we are could ask the questions of our time and create works that would bring us forward. A space where many elements could come together to create the alchemy of transforming how we experience today into how we will experience tomorrow.
Based on Charles Dickens’ Oliver Twist, Lionel Bart’s frothy musical adaptation boasts some on the most classic tunes in all of Broadway history. And as with all of AHS Theatre Ensemble's productions, the audience got to experience a “twist on Twist,” as they explored the show’s deeper themes of lost innocence, corruption, classism, and social decay.
On March 25, our Artists in Residence came together and invited the community to experience their creations. Sam Torres and Sophia Subbayya Vastek, who performs under the name Tilted Arc, held a concert with their most recent compositions. Using their talents, and recordings of the sounds of the house, they delivered a beautiful series of electroacoustic tunes.
a third thing that is indefinite and undefined but is related to two definite or known things.
Def. Tertium Quid (Greek)
In mid-November we were invited to participate in the weekend-long Alternative Art School Fair (AASF) at Pioneer Works in Red Hook, Brooklyn, along with +50 other schools/institutions/project spaces.
Arts Letters & Numbers would not have grown to where we are today, without the tireless, continuous support and help of our friends and volunteers. Though we sometimes might seem too busy to show it, we never forget it. And we are eternally grateful to each one of you for what you have brought to the project.
Arts, Letters and Numbers was invited to collaborate with Albany High School’s after school Social Justice Theatre program to witness the students in the telling of their stories and to design a single stage set that would be used for this production along with seven other student-written and performed plays as part of an annual festival. After the festival, ALN hosted the Albany students at the Mill and with Youth FX, a local non-profit film arts program, they filmed and produced a dramatization of students’ stories.
This immersive festival presented works created during Zoëtrope Sun, a four-week summer workshop, bringing together architects, artists, filmmakers, musicians, composers, physicists, poets, photographers, actors, mimes, chefs, and scientists.
During the four-week intensive workshop, we brought together Architects, Artists, Filmmakers, Musicians, Composers, Physicists, Poets, Craftspeople, Photographers, Actors, Mimes, Chefs, Magicians, Historians, Scientists, and Scholars to co-construct a disciplinary Zoëtrope: a living system of knowledge-transformation turning within light and time, water and clouds, life and still life, cameras and projectors, nights and days, words and voices, an emergent microclimate that evokes the origins of life itself—animation, anima, zoë, life—a “Zoëtrope Sun”.
Align & Construct was an exhibition of works from a range of diverse media and assorted conceptual notions brought together to examine constructs of culture, gender, liminality, memory and time.
Albany Highschool Theater Ensemble's Promising Playwrights Festival 2016 was held in the Abrookin Theater in Albany. Seven student written plays was performed over the course of four days. We are very honored that Arts Letters and Numbers have been part of this journey, and we excited about what this collaborative work can bring.
Featuring four immersive rooms that dealt with bullying, loss, identity and empowerment through one's talents and strengths, the young artists wrote their own pieces; there was dance, music, costumes, lighting and even short film pieces.
These new works exhibited at the Mill last Friday are a perfect indicator of the power of spring in the air. It's amazing to watch how the mill fills up with human spirit and it's wheels start turning as the temperatures rise. This beautiful group of artists, each with their own intimate and driven idiosyncratic approach to their work, created a thick and palpable emotive space when the works all hung together.
During the colder weeks of the winter, our Artists in Residence moved their studios from the Mill to the House on the Hill. Even though the grand space of the Mill has been in play in developing the artist's works, the House on the Hill added another dimension of scale and complexity.
Cassiopeia was an exhibition of works created at the Arts Letters and Numbers residency program on October 24th 2015. It came together as a constellation of ideas expressed in poetry, photography, sculpture, painting, music and comedy all set within the magnificent mill space.
Inspired by the Galapagos Archipelago and the knowledge transformations that emerged from Darwin’s five-week experience within their dense bio-diversity, the Galapagos workshop invoked the first principle of the theory of evolution. When individual agents are brought into proximity, they interact, building new linkages. Under the right circumstances, these symbioses create transformations, catalyzing new forms. The proximity and interactions within diverse agents is fundamental to the emergence of new logos, new species, new modes of being, the events of variety and variation; knowledge evolves, comprehension evolves, new forms emerge. Recognizing these diverse forms of agency as a diversity of ‘ways of knowing,' we begin to understand a living system of knowledge permutations—thereby, a 'general assembly of education.'