Event

Events, Performance

DeChae, Tedesco & Wolff | Reading

It was lightly snowing with a small bonfire outside. Through the window an ambient light was coming out, and the visitors slowly took their seats towards a little chest by the window. Three people holding papers perched on the chest in turn, and started to recite their writings calmly. On October 26th, 2018, we had a full house for an evening of readings by Laurin DeChae, Adam Tedesco, and Rebecca Wolff. Within each voice, poetry, prose and essay were shared, and the visitors traveled in the stories of sounds.

Laurin DeChae is a PhD candidate in Composition & Rhetoric at SUNY Albany, acting as the editor-in-chief for Barzakh Magazine. She received her MFA in poetry from the University of New Orleans. Her work appears or is forthcoming in Harpur PalateAnimal Literary, Pretty Owl Poetry and elsewhere

Adam Tedesco is an editor of REALITY BEACH, a journal of new poetics. His recent work has appeared or is forthcoming in Laurel Review, Gramma Weekly, Prelude, Pouch, Powderkeg, Fanzine, Fence, and elsewhere. His video work has been exhibited at MoMA PS1 among other venues. He is the author of several chapbooks, most recently ABLAZA (Lithic Press, 2017), as well as the forthcoming titles Misrule (Usrus Americanus Press, 2019), and Mary Oliver (Lithic Press, 2019). 

Rebecca Wolff is the author of four books of poems, one novel, and numerous pieces of nonfiction prose. She is the editor of Fence and the publisher of the Constant Critic. She lives in Hudson, NY, and is currently seeking meaningful employment . . .

Exhibition, Events, Artist in Residence

Untitled: Fleshy Objects | by Bat-Ami Rivlin

On October 29th, 2016 Bat-Ami Rivlin showed her work produced during her residency, in her solo-exhibition Untitled: Fleshy Objects.

Bat-Ami's work explores different performative aspects of the body as meat, sex object, and remnant. Her interest in bodily characteristics transforming objects into flesh, makes an in-between ‘abject’ that is not inanimate, nor alive. The abjection of flesh, its transformation from the proper to the formless, exhausted, and rotten, is a key concept to her work.

The understanding of our bodies as vessels, outer-layer, and as separate from our conscious selves is questioned. Exhausted materials, fleshy forms allude to the meat-like properties of the human body and the social implications of the consideration of our own process of disintegration. The bodily functions that signify our biology and remind us of the ephemeral and embodied nature of existence are rejected in an attempt to create a space separate from deterioration of the body. Thus, the flesh emerges in different roles that are performed for an audience, such as an image, a tool, or an illusion. Our bodies are no longer the makeup of ourselves, but rather a visual representation that is both separate and irrelevant to what we assume as the inner being. The body becomes upgradable, malleable, and theatrical. In its theatricality, it performs the role of 'object' dictated by the social space or context. In domestic spaces and in official social settings, the body becomes a hinderance, as the sight of flesh and its corporal attributes clash with the understanding of the authority of the so-called pure intellect.

Moreover, intimate spaces in which flesh is supposedly allowed to exist, have also become contested, mediated by the beauty ideals of popular mass culture. Particularly with female flesh, the body’s naked appearance becomes an immediate ‘nude’, a showcasing of previously constructed desirable female attributes that are meant to please and entice a potential audience. That is why the re-inserting of flesh in its corporal form into the domestic, the intellectual, and the intimate spaces of culture is an act of disturbance.

Photography © Zelé Angelides. 2016. All rights reserved.

Exhibition, Artist in Residence

Align and Construct | Exhibition

Align & Construct was an exhibition of works from a range of diverse media and assorted conceptual notions brought together to examine constructs of culture, gender, liminality, memory and time.

Exhibition, Events, The Mill, Artist in Residence

What Works in It? | Exhibition, April 29 | The Mill

These new works exhibited at the Mill last Friday are a perfect indicator of the power of spring in the air. It's amazing to watch how the mill fills up with human spirit and it's wheels start turning as the temperatures rise. This beautiful group of artists, each with their own intimate and driven idiosyncratic approach to their work, created a thick and palpable emotive space when the works all hung together. 

Exhibition, Events, The Mill, Artist in Residence

Cherry, Black Birch, and Oak | Exhibition

Paint strokes and sun rays, textiles and sound bits, videos and voices all in intriguing conversations. As spring swept through the mill and we once more reclaimed our most precious spaces with this years first spring exhibition Cherry, Black Birch, and Oak.