On Saturday October 28th we welcomed a number of leaders from the many arts and cultural organizations in the Capital Region to Arts Letters & Numbers Tasting. With this event, we opened our doors to the extended creative community around us: to share our experiences and spaces, and to begin and continue the conversation about how we can best foster collaboration and contribute to the vibrant arts and cultural communities growing in the region.
On Saturday September 16th one of our Artists in Residence, Jiangliu Dong, exhibited the works she had created during her stay at Arts Letters & Numbers. Jiangliu seeks to explore the comprehensive conversation between body, self, and identity. During her time at Arts Letters & Numbers she was deep in her work, carefully creating art of words, paints, fabrics and as a final act she introduced water..
A book release event was held at the Mill on May 14th for A Night on Buddy’s Bench – An End of Life Story – an adult picture book written by Ira Baumgarten, a local resident (who lives two mile from the Mill) and illustrated by his mother-in-law Ann Bonville Trombly, another local resident. It was a celebration of how we hold life’s grief and gratitude in the same moment.
Cassiopeia was an exhibition of works created at the Arts Letters and Numbers residency program on October 24th 2015. It came together as a constellation of ideas expressed in poetry, photography, sculpture, painting, music and comedy all set within the magnificent mill space.
The 2015 summer’s workshop was arranged as a five-week intensive program. Inspired by the Galapagos Archipelago and the knowledge transformations that emerged from Darwin’s five-week experience within their dense bio-diversity, the Galapagos workshop invoked the first principle of the theory of evolution. The structure and nature of the questions offer different ways in which the experience can be meaningful for each individual and where the contribution of one’s own work supports the larger body of work.
In March 2015 a group of 25 people from all over the world, and representing a wide spectrum of disciplines, convened upon a snow-covered House on the Hill to take part in “Oppenheimer’s Table” - a workshop examining and expanding upon the nature of 132 doodles generated from the secret joint committee meetings held in 1947 and chaired by Dr. J. Robert Oppenheimer.
On May 9th, 2014 Arts Letters & Numbers acquired the house on the hill above the mill. Built in 1859, this house previously served as the original mill owner’s residence. Now it has become the residence for Arts Letters & Numbers ongoing programs. This moment in the evolution of Arts letter & Numbers demanded our present tense creativity. We decided to focus our third summer workshop on the very immediate questions we are all asking: What is space between the house and the mill? How do we inhabit this new geography?
The 2013 summer's workshop grew out of the perfect combination of planning and poetry. Building from the experiences of our first summer workshop, and incorporating discoveries found through our recent work, we developed this summer’s workshop titled ‘Exquisite Broken Circle; Suddenly a Chora’. Structured through six disciplines; construction, drawing, film/photography, writing, theater and music/sound the workshop was conceived of as a disciplinary exquisite corpse. Each of these disciplines worked in parallel and in close proximity, directly interacting though a framework of shared questions and actions.
Mill Talk Oct 2012 // The Mill-Averill Park, NY
Arts, Letters & Numbers was very happy to host our first Mill Talk with guest speaker, Professor Remo Guidieri . After a delicious kebab lunch-in, guests gathered to hear an introduction by David Gersten followed by a lecture by Professor Guidieri, titled "Argonauts Anthology". It was a day in the country filled with foods, drinks, fire and conversation in our newly renovated Mill.
Circles: Drawing on Friendship" was the first of the Art, Letters & Numbers workshops to be held in our Mill in Upstate New York. Through a deep intellectual, emotional, and creative questioning, we drew up a series of works and created new structures, new spaces, new stories which culminated in a celebratory performance. The collective creative urgency was a crucible of emotive precision from which we pour the foundation for our future workshops.