In the shape of a festival - Come Make with Us was, as the title hints, an invitation to the audience to experience and participate in the works created during Summer at ALN. Through multiple stages, multiple artists and as obviously at ALN a wide range of different medias, the emergent works created during Summer Residency and Revolution:Thesis at ALN created a platform for interactions between audience, the works, the artists, the spaces and the continuous unfolding of the questions.
Revolution: Thesis at ALN together with the Summer Residency created the framework for Summer at ALN 2019. Revolution: Thesis at ALN was led by David Gersten, structured as a four week program and included a regular schedule of studio time, one-on-one studio visits with David, ALN Fellows and Visiting Artists, as well as, weekly seminars and listening critiques. The Summer Residency was a 2-4 weeks focused residency for artists interested in the opportunity to interact with ALN’s other ongoing programs and overlapping events. The Residency was structured to provide creative opportunities while developing meaningful relationships with other artists. While each of these programs had its own unique character, they both offered space for people to pursue their questions in conversation with others and create emergent works within a creative community.
On August 3rd we opened our doors for the second Arts Letters & Numbers festival: this year titled Constitution. The 3-day festival presented works created during our annual four-week summer workshop, bringing together participants from a wide range of disciplines including architecture, photography, dance, music, literature, film, theatre, painting and drawing.
In mid-November we were invited to participate in the weekend-long Alternative Art School Fair (AASF) at Pioneer Works in Red Hook, Brooklyn, along with +50 other schools/institutions/project spaces.
This immersive festival presented works created during Zoëtrope Sun, a four-week summer workshop, bringing together architects, artists, filmmakers, musicians, composers, physicists, poets, photographers, actors, mimes, chefs, and scientists.
During the four-week intensive workshop, we brought together Architects, Artists, Filmmakers, Musicians, Composers, Physicists, Poets, Craftspeople, Photographers, Actors, Mimes, Chefs, Magicians, Historians, Scientists, and Scholars to co-construct a disciplinary Zoëtrope: a living system of knowledge-transformation turning within light and time, water and clouds, life and still life, cameras and projectors, nights and days, words and voices, an emergent microclimate that evokes the origins of life itself—animation, anima, zoë, life—a “Zoëtrope Sun”.
Sun Ship: An Exhibition in support of Arts Letters & Numbers was held at Wilmer Jennings Gallery, in New York City, co-hosted by Dorian Grey Gallery and curated by Director, David Gersten. On view from June 17 till June 30, 2016, the Exhibition contained over 100 works by over 70 artists from more than a dozen countries, all donating their works to support Arts Letters & Numbers. These were emerging and internationally renowned artists, including Dennis Adams, John Ahearn, Michael Benson, Mike Bidlo, Lorenzo Clayton, Martha Cooper, Marylyn Dintenfass, Adeline Kueh, Bill Morrison, Margaret Morton, Laurie Olinder, Walid Raad, James Romberger, David Shapiro, Homa Shojaie, Suha Traboulsi, Ian Woo and Lebbeus Woods, among others.
Bringing together works of the broader Arts Letter & Numbers community, the exhibition opened with a beautiful celebration of these many vibrant and diverse works and voices. The highlight of the evening was a grand piano performance by Michael Harrison followed by a live auction in support of our project. Photos from the exhibition and event are below, and a publication of the exhibition is available here on our website. Sun Ship was new territory for Arts Letters & Numbers and the entire organization sprang into action determined to have the exhibition, publication, events, online and live auctions created and crafted with all of the thoughtfulness, and precision, poured into all of our ALN works.
Inspired by the Galapagos Archipelago and the knowledge transformations that emerged from Darwin’s five-week experience within their dense bio-diversity, the Galapagos workshop invoked the first principle of the theory of evolution. When individual agents are brought into proximity, they interact, building new linkages. Under the right circumstances, these symbioses create transformations, catalyzing new forms. The proximity and interactions within diverse agents is fundamental to the emergence of new logos, new species, new modes of being, the events of variety and variation; knowledge evolves, comprehension evolves, new forms emerge. Recognizing these diverse forms of agency as a diversity of ‘ways of knowing,' we begin to understand a living system of knowledge permutations—thereby, a 'general assembly of education.'
The 2015 summer’s workshop was arranged as a five-week intensive program. Inspired by the Galapagos Archipelago and the knowledge transformations that emerged from Darwin’s five-week experience within their dense bio-diversity, the Galapagos workshop invoked the first principle of the theory of evolution. The structure and nature of the questions offer different ways in which the experience can be meaningful for each individual and where the contribution of one’s own work supports the larger body of work.
NOW: is a pre-enactment of Galapagos Now: and the first action in the Galapagos Project. Simultaneous live events were enacted between the Mill, and Galerie Subsuelo in Berlin. During a five day span, both locations hosted a series of 'Now:s', actions within the duality that collapsed time and space.
In March 2015 a group of 25 people from all over the world, and representing a wide spectrum of disciplines, convened upon a snow-covered House on the Hill to take part in “Oppenheimer’s Table” - a workshop examining and expanding upon the nature of 132 doodles generated from the secret joint committee meetings held in 1947 and chaired by Dr. J. Robert Oppenheimer.
On May 9th, 2014 Arts Letters & Numbers acquired the house on the hill above the mill. Built in 1859, this house previously served as the original mill owner’s residence. Now it has become the residence for Arts Letters & Numbers ongoing programs. This moment in the evolution of Arts letter & Numbers demanded our present tense creativity. We decided to focus our third summer workshop on the very immediate questions we are all asking: What is space between the house and the mill? How do we inhabit this new geography?
The 2013 summer's workshop grew out of the perfect combination of planning and poetry. Building from the experiences of our first summer workshop, and incorporating discoveries found through our recent work, we developed this summer’s workshop titled ‘Exquisite Broken Circle; Suddenly a Chora’. Structured through six disciplines; construction, drawing, film/photography, writing, theater and music/sound the workshop was conceived of as a disciplinary exquisite corpse. Each of these disciplines worked in parallel and in close proximity, directly interacting though a framework of shared questions and actions.