Performance

Events, Performance, Artist in Residence

Lead to Air | Performance by Christine Finn

Creative archaeologist and journalist, Christine Finn, celebrated the role of the media, in Lead to Air, a performance art piece inspired by old newsroom technology and collaborative process, in sound, word, and action, performed at the Barn on Sunday January 22nd. The timing, on the Sunday of inauguration weekend, is a nod to the significant international news event and the long-form reporting, and deep investigation, of traditional Sunday newspapers.

Lead to Air is a multi-layered durational work. In an otherwise empty barn, Finn using a vintage Royal typewriter, typed for six hours onto a roll of continuous paper, which falling off the typewriter and the edge of the stage as an invitation for the audience to read. In headphones she was listening to another six-hour durational work, A Lot of Sorrow www.alotofsorrow.com by the Icelandic artist Ragnar Kjartansson and Brooklyn-based Ohio band, The National, while the audience needed to make the journey to the salon of the Mill House to hear the music here. Lead to Air is not a collaboration with these artists, but a tribute to the work of collaborative technology and creativity.

Finn's piece was the consummation of various influences over her 40-year career as a writer, reporter, and artist. It was a homage to analogue newsroom technology, lino-type machines, the era of copy-takers, and a nod to Jack Kerouac's continuous paper manuscripts, Remedios Varo's 1961 surrealist painting Embroidering the Earth's Mantel, Tim Youd's 100 Novels project timyoud.com, and overlapping process: reporting as a form of poetry and performance as a form of archaeology. While exploring these over years, she found the catalyst for Lead to Air in a dark room at the Chicago Art Institute, where the video installation, A Lot of Sorrow, was playing on a continuous loop. The durational intensity and sound of the piece, her first encounter with The National's music, produced an unexpected recall: long hours working in British newsrooms in the 70s and 80s on press days, in particular the sound of typewriter keys continuing relentlessly against an advancing deadline, one shared by all the participants in the process. The work launched Finn's wider dig into the legacy of old media, and what has been lost - or retained - in the process of technological transformation.  

A huge thank you to Ragnar Kjartansson and The National for their generous permission to use the inspirational art work and music of "A Lot of Sorrow"; and to those in the US and UK, who helped my project translate from idea to performance: Caroline Burghardt at Luhring Augustine, Elyse Cogan at BMG, Abby Rubin and Kathryn Braddick at Beggars label; Ed Horrox at 4ad, and Cally Callomon. To David Gersten, Che Perez, and Frida Foberg at Arts Letters & Numbers, much appreciation. And not least to Robert Dalton Harris and Diane DeBlois for kind loan of the vintage typewriter, and the Gramercy Typewriter Co, for help with the ribbons.

Events, Performance, Exhibition

Zoëtrope Sun Festival

This immersive festival presented works created during Zoëtrope Sun, a four-week summer workshop, bringing together architects, artists, filmmakers, musicians, composers, physicists, poets, photographers, actors, mimes, chefs, and scientists.

Past, Performance, Events

Galapagos Now: Performance

Inspired by the Galapagos Archipelago and the knowledge transformations that emerged from Darwin’s five-week experience within their dense bio-diversity, the Galapagos workshop invoked the first principle of the theory of evolution. When individual agents are brought into proximity, they interact, building new linkages. Under the right circumstances, these symbioses create transformations, catalyzing new forms. The proximity and interactions within diverse agents is fundamental to the emergence of new logos, new species, new modes of being, the events of variety and variation; knowledge evolves, comprehension evolves, new forms emerge. Recognizing these diverse forms of agency as a diversity of ‘ways of knowing,' we begin to understand a living system of knowledge permutations—thereby, a 'general assembly of education.'

Workshops, Performance

Oppenheimer's Table | The Mill 2015

In March 2015 a group of 25 people from all over the world, and representing a wide spectrum of disciplines, convened upon a snow-covered House on the Hill to take part in “Oppenheimer’s Table” - a workshop examining and expanding upon the nature of 132 doodles generated from the secret joint committee meetings held in 1947 and chaired by Dr. J. Robert Oppenheimer. 

Workshops, Performance

Circling Towards a Disciplinary Chora | Summer Workshop 2014

On May 9th, 2014 Arts Letters & Numbers acquired the house on the hill above the mill. Built in 1859, this house previously served as the original mill owner’s residence. Now it has become the residence for Arts Letters & Numbers ongoing programs. This moment in the evolution of Arts letter & Numbers demanded our present tense creativity. We decided to focus our third summer workshop on the very immediate questions we are all asking: What is space between the house and the mill? How do we inhabit this new geography?

Workshops, Works, Performance

Exquisite Broken Circle: Suddenly a Chora | Summer Workshop 2013

The 2013 summer's workshop grew out of the perfect combination of planning and poetry. Building from the experiences of our first summer workshop, and incorporating discoveries found through our recent work, we developed this summer’s workshop titled ‘Exquisite Broken Circle; Suddenly a Chora’. Structured through six disciplines; construction, drawing, film/photography, writing, theater and music/sound the workshop was conceived of as a disciplinary exquisite corpse. Each of these disciplines worked in parallel and in close proximity, directly interacting though a framework of shared questions and actions. 

Workshops, Performance

Exquisite Broken Circle | Brown University 2012

"Exquisite Broken Circle" an Arts, Letters & Numbers workshop was held at Brown University. Conceived of as an embodied "exquisite corpse," participants from multidisciplinary backgrounds engage in action, re-action and reenactment within the construction of two half-circle arcs set back to back. Within each arc space of performance, a set of live-feed cameras and projections loop the image(s) and the performer(s) in an infinite mirror of responsive and repetitive movement that creates a dialogue between the performers and each set of actions.

Workshops, Performance

Circles: Drawing on Friendship | Summer Workshop 2012

Circles: Drawing on Friendship" was the first of the Art, Letters & Numbers workshops to be held in our Mill in Upstate New York. Through a deep intellectual, emotional, and creative questioning, we drew up a series of works and created new structures, new spaces, new stories which culminated in a celebratory performance. The collective creative urgency was a crucible of emotive precision from which we pour the foundation for our future workshops.

Workshops, Works, Performance

Aarhus Arc | AARCH 2012

The 'Aarhus Arc' was built by 150 master students at the Aarhus School of Architecture. In an act reminiscent of the Globe Theater, the arc was carried in large segments through the snow and (re)constructed within the school’s theatre. Performing as a wall, a drawing board/film screen, it divided the space, inviting people to whisper through it, draw through it, cut through it. Through these acts of empathy for those on the other side, the arc transformed into an architecture, a theater, a film, a drawing, a conversation, an action, a school, and a contribution to a city culminating in a series of performances of magical moments, smoke and fire!

Workshops, Works, Performance

Open Book | AARCH 2011

The 'Open Book' Workshop was an initial step towards what has become Arts Letters & Numbers. The students from the studio "Making Real" participated in this collaborative workshop orchestrated by David Gersten and Anne Romme. The workshop explored the interrelations between gravity, bodies, drawing, time through inhabiting plans on floors, sections on walls, and the space in between.