Ireland

Past Resident

Yurika Higashikawa

YU is a research driven, performance-based art-worker currently living in Dublin. They graduated from NCAD with a Joint BA degree in Sculpture and Visual Culture in 2017. Since exiting the academic institution as a student, YU has continued to evolve their practice through a series of lectures and guided tours in and Dublin City Centre.

YU’s practice evolved out of a provisional act of resistance against the imposed heterogeneous hierarchies implicit in a university and aimed to highlight how certain classist, gendered and racist structures can affect and direct creative workers within the wider field of the Irish State. Since graduating from university, the antagonism of the knowledge economy remains a core consideration within their practice however YU has become predominantly concerned about the contingent realms of historical turmoil in relation to contemporary site of social unrest under neliberalism. They interrogate the ever-evolving, ever-shifting physical and metaphysical terrain of Ireland through the use of socially engaged actions and performances as well as guerrilla style object interjections. By using ‘The testimony’ or ‘The Complaint’ as their modus operandi, YU unravels ideas of agency, precarity, hope, adaptability, institutional pain and opportunity.

Alongside these key considerations, YU has also become increasingly concerned about the relationship between ethics and art. Having developed a profound distrust of the state’s co-option and utilisation of art in regeneration projects, YU poses their performances alongside capitalist entities as a tactic to erode or undermine their ideological actions. Placing their final iterations of their work in the public sphere, methods of co-option, over-identification and consent have become central to how they execute their work.

Current research has lead YU to consider what roles can be assigned to art in relation to the housing crisis and what links can be made to grassroots organising. Should it be a soothing agent, to propose band-aid solutions? Should it be the voice of dissent, using its autonomy to propagate or disperse hidden narratives? Can it effectively support communities in times of crisis and if so, what are the ethical considerations that should be taken into account? YU’s work is an interrogation of arts radical possibilities, paradoxical conventions and responsibilities in a post-relational art and institutional art context.

Past Resident

Cara Farnan

Cara Farnan is a Visual Artist based in Dublin. She is drawn to the space between what we know about the world, and what we sense about it. In this in-between, binaries collapse and definitive edges are lost. Our physical experience becomes irreversibly intertwined with our imaginary experience. Her work stems from a fascination for the inherent magic and quiet monumentality of stuff – observing, and reflecting on the strange quirks of and interactions between often familiar things.Cara works in a variety of forms including sculptural and site-specific installation, sound, text, video, drawing and printmaking. Since graduating with a BA(Hons) in Fine Print from the National College of Art and Design, Dublin in 2016, Cara has completed residencies in the RHA School, Dublin; Haihatus, Finland and Cow House Studios, Wexford. In 2018, Cara curated a one-day exhibition, Gathering on Dollymount Strand and produced Emma Brennan’s performance Heed, to the Mound at Dublin Fringe Festival. She is an active member of artist-led studio Ormond Art Studios and of Black Church Print Studio. Cara works as a STEAM educator alongside her practice, introducing children to the wonders of science, design and technology. Her work has been exhibited throughout Ireland and internationally. 

Past Resident

Clare Lyons

Clare Lyons is a photographer and visual artist based in Dublin, Ireland. Her work is typically deeply private and explores themes of trauma, memory, and her personal struggle with mental illness. Clare's current practice examines the process of uncovering and recalling repressed and suppressed memories using paper-folding and other sculptural methods of working with photographs. Clare is currently Assistant Editor at Junior Magazine which is an annual journal showcasing young Irish photographic talent, and since 2018 has worked with the PhotoIreland Foundation as a volunteer at The Library Project in Dublin.